Series Review – Girlboss

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Girlboss is about twentysomething misfit Sophia and how she builds her vintage clothing business, Nasty Gal. While building her business, she has to deal with a hernia, unsatisfied customers, neglected friends and other vintage sellers who disagree with her methods. The show is full of colourful characters and fantastic fashion.

From the beginning the main character, Sophia, is insufferable. She walks over everyone else to have her own way, acts like she knows absolutely everything and expects others to be endeared by her quirks. Her best friend, Annie, is not much more likeable. This made the first couple of episodes hard to get through. And yet, there was something about the show that made me keep watching.

The story was intriguing enough and the aesthetic fantastic. Watching Sophia go through all that vintage clothing, while well-dressed herself, inspired me to go back to my favourite thrift shops and experiment more with my own style myself. Also, to get my bangs cut again. And go to San Francisco.

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Her entrepreneurship was very inspiring too. She’s not a girl you expect to succeed, but she turns out to be highly resourceful. She actively solves problems and is shown to have good business sense. Together with showing her vulnerability, she becomes a lot more likeable over the course of the series. In the final episodes I was happy to see her succeed with her business and really felt for her when she was unexpectedly betrayed.

Unfortunately, only snippets of the building of her company are shown. Most of the storyline seems to be about Sophia’s personal life, her relationships and struggles (unlike what the trailer suggests). I would have liked to see more about the business side of it. The best episodes are the ones which center on some facet of Nasty Gal, like ‘Ladyshopper99’ in which Sophia goes through every resource to satisfy a disgruntled customer. The ones which are more about Sophia’s relationships, like ‘Top 8’ and ‘The Trip’, I could have done without.

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The humour in the series is here and there. Sometimes it’s hilarious, like in the dialogue or in the portrayal of certain characters. Other times it completely misses the mark. In the already mentioned ‘Top 8’ for example; I kept waiting for those outlandish flashbacks to become funny, but they never did.

It was inconsistent in tone too. The text messages and sales popping up on the screen, to name some, seemed out of place. Those didn’t fit with the rest of the tone/aesthetic the series was going for. In ‘Vintage Fashion Forum’ the incorporation of the internet was brilliant though. I loved how they showed the interaction between the characters on the forum and in the chatroom.

If you like stories about female entrepreneurs, vintage fashion and Wes Anderson type humour, give Girlboss a shot. Even if you don’t love the main character, you may find yourself binge-watching it late into the night.

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Inspiration for WGT

I can’t believe WGT is in 2 1/2 weeks already! I’ve barely been able to think about what I will wear. Ideally I’d go for over the top gothic lolita and Victorian-ish looks, with some trad goth mixed in. Unfortunately my wardrobe and budget are not too accommodating, but a girl can dream.

Here is a somewhat random smattering of my personal style inspirations for WGT.

aw2013-3From Alice Auaa’s AW 2013/14 collection

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Marie Dauphine basically embodies all my gothic lolita goals.

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fille_de_porcelaine_iii_by_remussirion-d9g1062Fille de Porcelaine

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Can never get enough of Penny Dreadful‘s Vanessa Ives and her fabulous wardrobe.

baroness-dress-7Picture from Fantasmagoria, obviously

One day I will get this Punk Rave dress. One day…

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Black Friday is one of my continual inspirations.

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As are traditional 80’s alternative styles. Trad goth outfits can be a lot more practical for clubbing too.

Hope you could find some inspiration in this post!

*Uncredited images are saved from Tumblr, where all credit goes to die.

book review – the art of asking by amanda palmer

this week amanda palmer’s the art of asking was released in paperback. like when it first came out last year, she asked her fans to spread the word about it. i was already meaning to do a review on it, so here it is.

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i have been following amanda palmer & her work for years & years now. from the dresden dolls, to her solo album, evelyn evelyn, the grand theft orchestra, ukelele madness, ted talk… she has done so many wonderful things. i don’t love everything that she’s done, but this book is definitely one of the many things that i do.

the art of asking is basically about amanda’s experiences with asking & what she has learned from those experiences. it could be categorised as a self-help book, but it is so much more. it is also a meditation on human relationships, vulnerability, trust & art & all its facets. then it is partially a memoir of one of the greatest artists of our time.

in the art of asking amanda questions a lot of notions that most of us in the western world probably grew up with. like how we are supposed to be independent & never need help & distrust everyone else. how we think artists are supposed to earn money. fundamentally, how we are supposed to be embarrassed by asking for help. she shows that there is another way. she shows a glimpse of a better, more open & loving world.

the whole book filled me with such inspiration. it made me want to be better to other people, allow myself to be vulnerable, create more art. it changed my views on certain things, for the better. i would recommend everyone to read this.

some of the passages that i highlighted while reading the book:

Everybody struggles with asking.
From what I’ve seen, it isn’t so much the act of asking that paralyzes us–it’s what lies beneath: the fear of being vulnerable, the fear of rejection, the fear of looking needy or weak. The fear of being seen as a burdensome member of the community instead of a productive one.
It points, fundamentally, to our separation from one another.
American culture in particular has instilled in us the bizarre notion that to ask for help amounts to an admission of failure. But some of the most powerful, successful, admired people in the world seem, to me, to have something in common: they ask constantly, creatively, compassionately, and gracefully.”

“Those who can ask without shame are viewing themselves in collaboration with-rather than in competition with–the world.
Asking for help with shame says:
You have the power over me.
Asking with condescension says:
I have the power over you.
But asking for help with gratitude says:
We have the power to help each other.”

“Seeing each other is hard.
But I think when we truly see each other, we want to help each other.
I think human beings are fundamentally generous, but our instinct to be generous gets broken down.”

“I think the real risk is the choice to disconnect. To be afraid of one another.
We make countless choices every day whether to ask or to turn away from one another. Wondering whether it’s too much to ask the neighbor to feed the cat. The decision to turn away from a partner, to turn off the light instead of asking what’s wrong.
Asking for help requires authenticity, and vulnerability.
Those who ask without fear learn to say two things, with or without words, to those they are facing:
I deserve to ask
and
You are welcome to say no.
Because the ask that is conditional cannot be a gift.”

i think i need to go re-read this…

if you want to read it too, you can buy the paperback at amazon, barnes & noble, books-a-million, indiebound or porter square books. you can find a bunch of links for the hardcover, audiobook & ebook here.

penny dreadful – vanessa ives inspiration

a couple of weeks ago i discovered the show penny dreadful. since then i’ve been slightly obsessed. there are so many wonderful things in that show, among which are the costumes. oh, the costumes. i would take screenshots of all of them, but netflix won’t allow me. they sparked a renewed interest in me in victorian fashion. victorian fashion was one of the goth clichés that i had moved away from, forgotten how fabulous it could be. anyway. of all the characters i think vanessa ives has the best wardrobe. here are some examples i plucked from google:

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Timothy Dalton as Sir Malcolm and Eva Green as Vanessa Ives in Penny Dreadful (season 1, episode 2). - Photo: Jonathan Hession/SHOWTIME- Photo ID: PennyDreadful_102_1519
Timothy Dalton as Sir Malcolm and Eva Green as Vanessa Ives in Penny Dreadful (season 1, episode 2). – Photo: Jonathan Hession/SHOWTIME- Photo ID: PennyDreadful_102_1519

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i can’t stop looking at the detail on this blouse. i think it’s one of her finest pieces.

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girl-and-vanessa-outside-churchi love those puffed sleeves on coats & jackets! that scarf makes the whole lovelier still.

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nice modern addition of polka dots in this dress. the gold dots on the black look fantastic.

Eva Green as Vanessa Ives in Penny Dreadful (season 1, episode 1). - Photo: Patrick Redmond/SHOWTIME - Photo ID: PennyDreadful_S1_QU6A2491
Eva Green as Vanessa Ives in Penny Dreadful (season 1, episode 1). – Photo: Patrick Redmond/SHOWTIME – Photo ID: PennyDreadful_S1_QU6A2491

penny-dreadful-costumesagain, amazing detail on this dress. if only i could get my hands on lace like that… the contrast of the white also looks really nice.

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i hope you enjoyed this post! thank you for looking.

ysl inspiration

last sunday i saw the new yves saint laurent biopic. what a feast for the eyes. any flaws it might have are easily made up by the visuals. the story was inspiring as well. it made me want to sew, draw, write, shop. it also made me interested in the designer himself, & his (older) work. yves saint laurent is one of those designers i’ve never really appreciated for some reason. funny, since he introduced pants for women.

i’ve been doing some googling throughout the week & now have a ysl folder in my pictures. some of my favourites:

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1956, for Christian Dior

1958_dior 1958, for Christian Dior

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1959, for Christian Dior

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1960, for Christian Dior


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1965

1966

1966

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1966

1970

1970

1976

1976

1981

1981

1983

1983

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1983

1994

1994

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1996

the pictures are courtesy of the v&a and met.